Monday, December 20, 2010

Get Your Documentary On This Holiday Season

Just a huge suggestion!


I'm so happy I found the documentary Capturing Reality: The Art Of Documentary because it really put documentary into an attainable entity for little ol' me, a fresh Media Studies graduate student. I put all of these documentaries on my Netflix and I recommend them to any and every one. The directors of these films are featured in the documentary and not only are they examples of all kinds of great genres of documentaries but "Capturing Reality: The Art of Documentary" breaks down every aspect of making a documentary.

The Day I will Never Forget A film by Kim Loginotto

Hold Me Tight, Let Me Go A film by Kim Longinotto

My Country, My Country A film by Laura Poitras

Grey Gardens A film by Albert and David Maysles

The Salesman by Albert and David Maysles

Touching the Void A film by Kevin Macdonald

Darwin's Nightmare A film by Hubert Sauper

Biggie and Tupac A film by Nick Broomfield



Tuesday, December 14, 2010

Everyone, and I mean EVERYONE who goes online should watch WE LIVE IN PUBLIC.

Here's a link to this site and the documentary is available on stream from NETFLIX

The film details the experiences of "the greatest Internet pioneer you've never heard of,"[1] Josh Harris. The dot.com millionaire founded Pseudo.com, the first Internet television network during the infamous tech boom of the late '90s. After achieving prominence amongst the Silicon Valley set, Harris became interested in controversial human experiments which tested the effects of media and technology on the development of personal identity. Ondi Timoner documented the major business-related moments of Harris's life for more than a decade, setting the tone for her documentary of the virtual world and its supposed control of human lives.[1]

Among Harris' experiments touched on in the film is the art project "Quiet: We Live in Public," an Orwellian, Big Brother type concept developed in the late '90s which placed more than 100 artists in a human terrarium under New York City, with myriad webcams following and capturing every move the artists made.[2] The pièce de résistance was a Japanese-style capsule hotel outfitted with cameras in every pod, and screens that allowed each occupant to monitor the other pods[3] installed in the basement by artist Jeff Gompertz.[4]

The film's website describes how, "With Quiet, Harris proved how, in the not-so-distant future of life online, we will willingly trade our privacy for the connection and recognition we all deeply desire. Through his experiments, including another six-month stint living under 24-hour live surveillance online which led him to mental collapse, he demonstrated the price we will all pay for living in public."

"He climbs into the TV set and he becomes the rat in his own experiment at this point, and the results don't turn out very well for him[5]," says Timoner of the six month period Harris broadcast his life in his NYC loft live online. "He really takes the only relationship that he's ever had that was close and intimate and beaches it on 30 motion-controlled surveillance cameras and 66 invasive microphones. I mean his girlfriend who signed on to it thinking it would be fun and cool, and that they were living a fast and crazy Internet life, she ended up leaving him. She just couldn't be intimate in public. And I think that's an important lesson; the Internet, as wonderful as it is, is not an intimate medium. It's just not. If you want to keep something intimate and if you want to keep something sacred, you probably shouldn't post it."

(from Wiki)

Wednesday, December 1, 2010

An American Family


A Family that consumes together, stays together.

I just read Nicholas Garnham's "Contribution to a Political Economy of Mass Communication," "A Propaganda Model" by Edward Herman and Noam Chomsky, and Herbert Schiller's "Not Yet the Post-Imperialist Era." All in all, this photo symbolizes their message.